If I experiment and turn off “Semi Seq” (which is the villain of the piece) I just get basically two samples from the gradient hits velocity layer of the midi note which sound “tick tock” alternately.
#WWW. WALK MHE VOICEY WAY MANUAL#
And – just to re-iterate – this is what the manual recommends i.e. Real drummers may play inconsistently, but not this inconsistently. Unprocessed, these don’t sit in the mix properly. This results in snare hits with very different peak and RMS levels and each having very different timbres.
This means that for a typical snare back-beat at, say V=115, over 4 back-beats I might get a couple of different V=115 samples, but then I get one with a real crack to it from the “hard hits” layer above, and a softer (and duller) hit from the “gradient hits” layer below V=115. If, as is recommended by the manual, I have the humanise features all on, then when my midi gets played back, the samples are picked from the velocity layer of the midi note and the adjacent velocity layers. On 1., I tend to use my EZd libraries in the Superior engine. how the samples are recorded in the first place. the way the SD sample engine works and 2. I’m a hobbiest and I’m in my 50s – but please don’t dismiss this part of your customer base! I have Superior Drummer, EZDrummer 2 and the Americana, Classic and Vintage Rock EZXs.
Please feel free to pass it on to your people internally, and I’m happy to discuss if this would be useful. This is some I hope for you useful customer feedback.
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